JoLIE 15:4/2022

 

Back to issue page

 

 

 

FRAMING POWER: MULTIMODAL METAPHOR AND METONYMY IN MEDICI: MASTERS OF FLORENCE [1]

 

 

Alexandra Maria Bocșa A green circle with white letters

AI-generated content may be incorrect.

University of Alba Iulia, Romania

 

Abstract

 

This paper explores the use of multimodal metaphors in the first episode of Medici: Masters of Florence, with a particular focus on the intricate relationship between power, money, and moral conflict. By analysing the metaphors within key scenes, the paper delves into how these symbolic representations reflect human nature, societal expectations, and the philosophical dilemmas faced by the characters, especially Cosimo de' Medici. The metaphors, such as the towering cathedral dome, power struggles within the Medici family, and the commodification of influence through bribery, serve as poignant commentaries on the sacrifices individuals make for the sake of power and wealth. The paper demonstrates how language, imagery, and gesture work in tandem to reinforce the central themes of ambition, moral compromise, and the negotiation of personal desires against external expectations. Furthermore, it highlights the capacity of multimodal metaphors to illuminate the psychological and social mechanisms shaping human decisions. The study also presents recommendations for future research, suggesting areas such as the tension between personal identity and social roles, the clash of individuality with societal norms, and the interplay between duty and desire. Ultimately, this paper underscores the significance of multimodal metaphors as both philosophical and linguistic tools, offering insight into the deeper meanings embedded in historical and contemporary narratives.

 

Keywords: Multimodal metaphors; Multimodal metonymy; Power; Money, “Medici: Masters of Florence”.

 

 

References

 

Cameron, L. (2003). Metaphor in educational discourse. Continuum.

 

Charteris-Black, J. (2004). Corpus approaches to critical metaphor analysis. Palgrave Macmillan.

 

Chilton, P. (2004). Analysing political discourse: Theory and practice. Routledge.

 

Forceville, C. (2008). Metaphor in pictures and multimodal representations. In R. W. Gibbs Jr. (Ed.), The Cambridge handbook of metaphor and thought (pp. 462–482). Cambridge University Press.

 

Feng, D., & O’Halloran, K. L. (2012). Representing emotive meaning in visual images: A social semiotic approach. Journal of Pragmatics, 44(14), 2067–2084. https://doi.org/10.1016/j.pragma.2012.10.003

 

Gibbs, R. W. (Ed.). (2008). The Cambridge handbook of metaphor and thought. Cambridge University Press.

 

Kress, G., & van Leeuwen, T. (2001). Multimodal discourse: The modes and media of contemporary communication. Arnold.

 

Kress, G. (2010). Multimodality: A social semiotic approach to contemporary communication. Routledge.

 

Lakoff, G., & Johnson, M. (2003). Metaphors we live by (2nd ed.). University of Chicago Press.

 

Lakoff, G., & Johnson, M. (1999). Philosophy in the flesh: The embodied mind and its challenge to Western thought. New York, NY: Basic Books.

 

Musolff, A. (2016). Political metaphor analysis: Discourse and scenarios. Bloomsbury Academic.

 

Pérez Sobrino, P. (2017). Multimodal metaphor and metonymy in advertising. John Benjamins Publishing Company.

 

Popescu, T. (2019). How come, Chief Willoughby? – Or the power of metaphorical utterances. Journal of Linguistic and Intercultural Education (JoLIE), 12(3), 115–125. https://doi.org/10.29302/jolie.2019.12.3.7

 

Pragglejaz Group. (2007). MIP: A method for identifying metaphorically used words in discourse. Metaphor and Symbol, 22(1), 1–39. https://doi.org/10.1207/s15327868ms2201_1

 

Sobrino, P. (2017). Multimodal metaphor and metonymy in advertising. John Benjamins Publishing Company.

 

Spotnitz, F., & Meyer, N. (Creators). (2016). Medici: Masters of Florence (Season 1, Episode 1) [TV series episode]. In F. Spotnitz & N. Meyer (Executive Producers), Medici: Masters of Florence. Lux Vide, Big Light Productions, & Rai Fiction.

 

Stodolna, A. (2017). Visual metaphor as an intersemiotic translation technique: The case of Peter Jackson’s The Lord of the Rings: On “dangerous liaisons” between literature and film. Między Oryginałem a Przekładem, 23(2), 117–128. https://doi.org/10.12797/MOaP.23.2017.36.07

 

 

How to cite this paper: Bocșa, A. M. (2022). Framing power: Multimodal metaphor and metonymy in Medici: Masters of Florence. Journal of Linguistic and Intercultural Education – JoLIE, 15(4), 25–44. https://doi.org/10.29302/jolie.2022.15.4.2

 

For details on subscription, go to: http://jolie.uab.ro/index.php?pagina=-&id=19&l=en



[1] This paper was developed as part of the MA course Metaphorology in Contemporary Media, taught by Professor Teodora Popescu during the 2020–2021 academic year at 1 Decembrie 1918 University of Alba Iulia.